

It’s not that Em isn’t an evocative balladeer it’s that he often undercuts the drama with jokes that increasingly scan as “labored” instead of “clever.” “River,” “Tragic Endings,” and “Need Me” are all stories about volatile relationships that get deflated by cringeworthy puns like “maybe she’ll be my Gwen Stacy, to spite-her-man” or “I’m swimming in that Egyptian river, ’cause I’m in de-nial.” Lines from anti-Trump screed “Like Home” could have been peeled from a Bazooka Joe comic on a bubblegum wrapper (“this type of pickle we’re in is hard to dill“). However, the TRL community he reveled in attacking are now his allies, so Revival is bogged down with soggy ballads alongside Alicia Keys, Pink, Skylar Gray, Kehlani, X-Ambassadors, and a Cranberries sample. There are some amazing feats of verbal agility, absurdly complex rhyme schemes, flickers of truth, and fires of hyperbole. The man who wrote “Not Afraid” wanted to say it’s OK to be scared. “Believe” has the chorus “Do you still believe … in me?” as opposed to saying, “This looks like a job for me.” On Revival, Em showed the cracks in his confidence - notable since he’s someone so intertwined with the culture of chest-puffing, venom-spraying battle rap that he starred in its definitive movie. Here, the world’s best-selling rapper battles the Fame Monster as he enters middle age, borrowing the earnest self-examinations sold in Macklemore’s thrift shop. Is his long, drawn-out discussion of flubbing a line on purpose on “Big Weenie” a freestyle or a written made to sound like a freestyle? Why does he turn into Arnold Schwarzenegger at the end of “Ass Like That”?Īn album so messy that Eminem surprise-released a better album addressing all the people that complained about it. The saddest thing about Encore, however, is the inability to make sense of a lot of it. Martika’s 1988 soft-pop weeper “Toy Soldiers” is turned into a song about beef ethics the well-meaning “fuck Bush” song “Mosh” is self-aggrandizing and all elbows and his war with The Source feels remarkably dated since the Nah Right era would be on us in about a year. Here, one of the greatest rappers of a generation sounds like he’s trying to make words rhyme by sheer force of will (“merry-go,” “ferris wheel,” “carousel”) or just filling up space with funky nonsense (“Or suck a dick, and lick a dick, and eat a dick, and stick a dick in your mouth”). Encore’s most inadvisable choices include talking like Rain Man, making a chorus “poo poo caca” in an English accent, puke noises, fart noises, shit noises, Pee-Wee Herman laughs, and, most famously, a whole song rapped as Triumph The Insult Comic Dog. He was also addicted to pills, which partially explains this cornucopia of “hickory dickory Dirk Diggler” decisions.
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And why would anyone tell Eminem no in 2004? By then, he was a movie star, a critic’s darling, a label owner who launched 50 Cent, and an Academy Award winner. In honor of the long, strange, 20-year trip since this manic, motormouthed bruise-poker first asked if we liked violence, here’s Eminem’s albums ranked from worst to best.Įncore is a rambling disaster, sounding like the untethered impulses of someone who hasn’t been told “no” in a half decade. He sold 11 million copies of an album that has a skit where the Insane Clown Posse suck a dick. He’s got more Oscars than Tom Cruise, Joaquin Phoenix, and Edward Norton combined. His first Top 10 single had him complaining about boy bands, and his latest has him complaining about mumble rap. The word “Stan” is in the dictionary (though, to be fair, give some credit to Nas for formalizing its use as a noun). He’s been protested by GLAAD and embraced by Elton John.


He’s been praised by Kanye West, Drake and Kendrick Lamar, and caught the ire of Michael Jackson and Lynne Cheney. and used as DNC pump-up music by Barack Obama (who also kept Em on his iPod). Bush’s secret service, dissed on Twitter by Donald Trump Jr. He’s a rap purist and a pop star, managing #1 Billboard Hot 100 hits that don’t shy from mention of things like Kool Keith and fromunda cheese.

He’s been called one of the greatest rappers of all time by Jay-Z and music for people who “drink way too much Mountain Dew” by Earl Sweatshirt. Verbally gifted, painfully self-aware, deliriously problematic - there’s really nothing like the last two decades of Eminem, the blonde swordsman.
